PWCW: How might you describe Mister X to someone who may have yet to read the original series?ĭM: It is a noir tale set in the futuristic present as envisioned in 1939. And I appreciate the way they treated auteur-driven books like The Goon and Hellboy. I have worked with Dark Horse over the years- some Star Wars stories, Grendel, the 9/11 book. We feel that this book would provide enough visibility for the character to have a chance to relaunch. Dark Horse's production staff did a beautiful job. This edition has much larger reproductions, painstakingly restored. It meant there was a place for a proper collection. The "bricks" (hardbound archives) were doing well in the book chains at the time, and the previous collections by the now defunct ibooks were flawed by inferior scans of the original comics and mistakes in the pagination. I wanted to launch a new series, but Diana and I both thought an archive edition would be a good way to re-establish the franchise. How did the collection come about, and what led you to publish this material with Dark Horse?ĭean Motter: It was actually the result of a conversation with Diana Schutz at Dark Horse. PWCW: The Archives edition looks gorgeous.
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